Notre Dame de Paris: a lot of pleasure to find Frollo!

Played in « collective hysteria », at the end of the 1990s, the musical Notre Dame of Paris returns Tuesday evening, in Montreal, with two of its original performers: Bruno Pelletier and Daniel Lavoie. For the latter, finding the character of Frollo these days is only fun. “It’s not the same madness as at the beginning. You don’t have to live with all the stress of fame. »

• Read also: Notre Dame de Paris: Bruno Pelletier finds (finally!) Gringoire

Daniel Lavoie was from the original troupe that launched Our Lady of Pariss, in 1998. The interpreter had followed the production on tour for two years before putting away his cassock … for 18 years.

Recently returned to the musical, he was therefore well placed to try to convince Bruno Pelletier to join the troupe, he who had left the ship 22 years earlier.

« He was very hesitant to come back, » says Daniel of his colleague. We talked a lot, actually. I managed to convince him to come back because I really wanted to do the show again with him! I won’t hide from you that I insisted a little bit [rires]. […] I told him that there was really a great happiness to find Our Lady otherwise than in the hysteria of the first time. At first it was big, big, big. Now it’s not that madness anymore. »

International audiences

When he left his Frollo character, Daniel Lavoie never thought about Notre Dame of Paris for many years. It was in 2017 that the singer was offered to return to a new French-speaking tour.

“At the time, I was at retirement age,” he says. I was 66 years old. But I found retirement pretty boring! [rires] So I said: why not? »

He admits to having been caught in his trap and to having enjoyed his last years of shows very much. “Before that, I had always done Our Lady in Paris and Canada, he says. But I didn’t know the international audiences. Since I came back, we have sung in Turkey, Lebanon, Russia, Taiwan, China, Korea, England, the United States. »

« It’s like a victory »

And all that, in the language of Molière, let us remember. “That’s my greatest joy,” says Daniel Lavoie. I am a Franco-Manitoban. I’ve kinda fought for my language all my life. I am very happy to sing in French in London or New York. For me, it’s like a victory. This is something that gives me great pleasure. »

The passing of Notre Dame of Paris last month in the Big Apple delighted him, even though there was a lot of uncertainty at the start.

“We were coming to play in the biggest city of musicals in the world, with a comedy made in French. It was hard to guess how New Yorkers would react. To our huge and very nice surprise, not only did they really like it, but they were hooked right away. »

Daniel Lavoie plans to take a few months off after the series of shows by Our Lady in Quebec. Even if he claims to be able to play Frollo for a few more years, the complexity of traveling abroad since the start of the pandemic has made him hesitate for the rest of things. “With the state of the aviation companies, it has become a nightmare. If there’s one thing I don’t like about my job right now, it’s traveling. »

Several dates planned in Quebec

  • The show Notre Dame of Paris will settle in Quebec for more than a month. Currently, 35 performances are scheduled across the province. Additional ones could be added in one or the other of the following cities.
  • In Montreal, the production will be at the Wilfrid-Pelletier room at Place des Arts until August 20, for at least 14 performances.
  • The troop will then go to Grand Theater of Quebecwhere she will perform at least 13 times, starting August 25.
  • The Maurice-O’Bready roomfrom Sherbrooke, will host the show for at least five performances starting September 7.
  • Finally, the Quebec mini-tour should end with at least three evenings at theCogeco Amphitheater of Trois-Rivières, as of September 12.
  • In 2018, Notre Dame of Paris had been played some 40 times in Quebec in front of 106,000 spectators. The current Quebec tour is on track to exceed this number of tickets sold, according to the production.
  • For all the details:


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